Brice Peterson, M.F.A. 2019, Installation view of Six White Cadillacs including (from left to right) I Wonder (2019), leather, plywood, 25" x 53"; and Stand (2019), polymer clay, wood, enamel, 56" x 12" x 12".
Thesis Work by Brice Peterson: Six White Cadillacs
Giselle Hobbs, M.F.A. 2023, Vital Fluid, exhibition view of Las venas de America (2022), oil on canvas, and Ñande Sy (2022) living moss. image / provided
Vital Fluid by Giselle Hobbs
Kirk Henriques, M.F.A. 2021, Discourse (2019), oil, acrylic, mixed media on wood, 24" x 36".
Work by Kirk Henriques
Christine McDonald, M.F.A. 2022, Steel Wool Overcoat (2021) Overview of left side Experimental gallery installation, 24' x 14'.
Steel Wool Overcoat
Group Project, Badminton Tournament, Grace Sachi Troxell, Untitled (Carrots) (2021), unfired no shrink clay, slipcast clay vegetables, carrots, tumeric, lemon, ginger, steel, 74" x 30" x 30".
Badminton Tournament
Christine McDonald, M.F.A. 2022, 591 / Flies / imaginary object 1 & 2 (2021) burnished powdered pigments; dimensions variable; abaca, 590 houseflies (musca domestica), flying table; tetrahedron with fly; Single Slant-blank headstone, a Stage), gypsum 150lbs
Work by Christine McDonald
Group Project, Or High Water, Installation view of Or High Water, including work by (from left to right) Ege Okal, Patrick Brennan, and Brice Peterson. photo / Shark Senesac
Or High Water
Yasmeen Abedifard, M.F.A. 2020, Triangular Desire 1 (2018), acrylic on canvas board, 8" x 10".
Triangular Desire
Layla Zubi, M.F.A. 2022, Detail of They Cannot Represent Themselves; They Must Be Represented (2021), OSB (oriented strand board), blue spray paint on manila and polypropylene rope, books (Writings of William Shakespeare, Webster Dictionary, and Bible).
They Cannot Represent Themselves; They Must Be Represented
Diana Clarke, M.F.A. 2017, Day Boxes, Version Two (2011), book board, linen, paper, and additional mixed media, installation detail, individual boxes measure 2" x 2" x 2".
Work by Diana Clarke
Sophia Starling, M.F.A. 2019, Exposed (Cadmium Orange) (2015), oil on linen, 43" x 67" x 4".
Work by Sophia Starling
Jerry Lim, M.F.A. 2017, Untitled, from the series Kingdom (2011–present), 4" x 5" film negative, sizes variable.
Work by Jerry Lim
Madeleine Cichy, M.F.A. 2017, Building Blocks For The Rest Of Your Life (2016), watercolor on paper, 15" x 22".
Work by Madeleine Cichy
Group Project, How to Build an Ocean, Alexis White, In The Courtyard (2019), Multimedia collage, 48" x 36".
How to Build an Ocean
Gabriel Ramos, M.F.A. 2018, Fragmentos 2 (2017), paper and vinyl, dimensions variable.
Work by Gabriel Ramos
Yasmeen Abedifard, M.F.A. 2020, Installation view of رسیده / Ripe (2019), silkscreen, digital excerpts from an eight-page comic, 11" x 15" each, from the group exhibition Or High Water. photo / Shark Senesac
Ripe
Kate Huffman, M.F.A. 2018, Georgia On My Mind (2015), watercolor on paper, 4' x 4'.
Work by Kate Huffman
Na Chainkua Reindorf, M.F.A. 2017, A Few of Our Favorite Things (2016), acrylic yarn and wire screen, 42" x 56".
Weft
Ciara Stack, M.F.A. 2020, Splinter Gum (2019), acrylic paint and pen on paper, 12" x 9".
Work by Ciara Stack
Na Chainkua Reindorf, M.F.A. 2017, Millennium Development Goals: Eradicate Extreme Poverty and Hunger, digital photograph, 32" x 24".
Work by Na Chainkua Reindorf
Alex Jahani, M.F.A. 2018, Artifact (2016), acrylic and spray paint on wood panel, 14" x 11".
Work by Alex Jahani
Stevie Klaark, M.F.A. 2017, Across the nation I found myself racing (2016), three emergency blankets and parallel projection of digital film recording, dimensions variable, from the solo exhibition Faith in Strangers.
Work by Stevie Klaark
Sophia Starling, M.F.A. 2019, Sophia Starling (M.F.A. '19) working on her piece Continuous Painting in Rand Hall. William Staffeld / AAP
Continuous Painting
Brice Peterson, M.F.A. 2019, Terminal Connection (2018), custom printed fleece and vinyl pillow in enamel-coated steel cart, 23" x 48" x 34".
Work by Brice Peterson
Sophia Starling, M.F.A. 2019, Friday’s Studio Obstacle (Black/White) (2019), rubber on plaster, 22" x 8" x 7"; and Friday’s Studio Obstacle (Yellow/White) (2019), rubber on plaster, 23" x 8" x 7".
Thesis Work by Sophia Starling: Studio Obstacles
Paloma Vianey, M.F.A. 2021, Femicides (2019), oil on canvas and LED lights, 30" x 40".
Work by Paloma Vianey
Libby Rosa, M.F.A. 2019, Reflection Painting #1 (2018), oil, acrylic, canvas, 10" x 10".
Work by Libby Rosa