Preston H. Thomas Memorial Symposium: Real Time

Shaka McGlotten

Keynote Speaker

Shaka McGlotten is Professor of Media Studies and Anthropology at Purchase College–SUNY, where they also serve as Chair of the Gender Studies and Global Black Studies Programs. Their work stages encounters between black study, queer theory, media, and art. They have written and lectured widely on networked intimacies and messy computational entanglements as they interface with qtpoc lifeworlds.

They are the author of Virtual Intimacies: Media, Affect, and Queer Sociality, published by SUNY Press in 2013. They are also the coeditor of two edited collections, Black Genders and Sexualities (with Dana-ain Davis) and Zombies and Sexuality (with Steve Jones). Their book Dragging: Or, in the Drag of a Queer Life and their current project, Black Data, has been supported by Data & Society, the Alexander von Humboldt Foundation, Akademie Schloss Solitude, and Creative Capital | The Andy Warhol Foundation.

Pegah Pasalar

Panel 1 Speaker

Pegah Pasalar (b. 1992) is an Iranian interdisciplinary artist, filmmaker, and film editor currently based between Chicago and Brooklyn. Her autoethnographic practice encompasses video, installation, and film and explores themes including identity convulsion, cultural memory, fragmentation, temporality, and displacement. Pegah is particularly interested in oral histories and the modes of storytelling people use to refabulate the past. 

Pasalar was a full-merit scholarship awardee at the School of the Art Institute of Chicago, from which she received her M.F.A. with a focus on film and video. Pasalar was selected to participate in the Liz and Luz visual arts program as part of the Chicago Mexico City MacArthur-backed exchange program on the theme of displacement.

She was a recipient of the City of Chicago's Department of Cultural Affairs grant, 3ARTS "Make a Wave" grant, and has received fellowships including the Kala Media residency award, Bemis, Yaddo, Banff, UnionDocs, and Points North. She was recognized as one of NEWCITY Magazine's 2020 Film 50 Gems. Her work has been exhibited at festivals around the world, including the Athens International Film and Video Festival, Chicago Underground Film Festival, Festival Internacional de Cine Documental de Buenos Aires (FIDBA), Austria International Film Festival, Onion City Film Festival, Ecra, and more.

Ainslee Alem Robson

Panel 1 Speaker

L.A.-based Cleveland native Ainslee Alem Robson is an award-winning Ethiopian-American director, writer, and media artist. Robson is currently a Sundance-NEH Fellow (2022–2023) and former Sundance Interdisciplinary 'Art of Practice' Fellow. Working with film, VR, installations, and emerging technologies in digital art, Robson's narrative and artistic practices pursue expression for the complexities of the liminal spaces between Africa and its diasporas. Her combined backgrounds in philosophy and new media render a critical approach to her emancipatory storytelling and critical fabulations. Through a transcultural, feminist, and first-generation American lens, her work focuses on decolonial narratives that deconstruct identity, perception, hierarchy, and colonial legacies.

Her artistic commissions and collaborations have been exhibited by the New York Times, Vellum LA, IDEAL Barcelona, Zurcher Hochschule Der Kunste, Forum des Images, Institut für Auslandsbeziehungen (IFA), and MoMA New York. Robson has recently been invited to the Curator's Special Projects at the 18^th International Architecture Exhibition of La Biennale di Venezia curated by Lesley Lokko. She has also been invited as a guest lecturer, keynote speaker, and panelist at arts festivals and academic institutions such as MIT, Cornell, UCLA, REFRESH at ZHdK, the SXSW conference, and others. In 2022 she was a virtual artist in residence at the Goldsmiths University Motion Capture Streamer Lab. Her non-fiction writing has been published by eFlux and Guggenheim, Art Africa, Vogue Italia, and OffRamp academic journal. Robson has written for season one of Tibeb Girls, the first children’s animation series in Ethiopia. She holds an M.A. in Fiction and Entertainment from SCI-Arc and a B.A. in both Philosophy and French from The College of Wooster. 

Robson developed a passion for visual art and storytelling while working for acclaimed artist Aida Muluneh in Addis Ababa, Ethiopia. Robson's directorial debut, Ferenj: A Graphic Memoir in VR, based on her personal experience deconstructs tensions embedded within intersectional layers of her biracial identity, migration, perception, the digital, and nostalgia. This afrosurreal experience world premiered at Tribeca, then SXSW, and traveled to other prominent film festivals worldwide. Ferenj received the Special Jury Prize at NewImages 2020; it has been exhibited at MU Hybrid Arthouse's "Worlding Worlds" exhibition in Eindhoven, NL, and also as part of its exhibit in Kepler's Gardens at Ars Electronica 2020. Ferenj has been translated into French and Mandarin.

Kidus Hailesilassie

Panel 1 Speaker

Kidus Hailesilassie's design merges the boundaries between spatial practice and futures informed by Africa and its diasporic conditions. With a background in architecture and speculative world-building, his works focus on the hybrid nature of reimagining transcontinental archives to form counter-narratives of Black consciousness.

In the past, Hailesilassie has collaborated with international artists and institutes such as Studio Other Spaces, Studio Olafur Eliasson, Forum des Images, Institut für Auslandsbeziehungen (IFA), and Contemporary And (C&). As a former EDGE fellow at SCI-Arc, he holds an M.A. in Fiction and Entertainment. Hailesilassie is a current fellow at the 2022 MIT & Black Public Media Visiting Artist Residency. While at OpenDocLab, he is working on The Culture Archive, a multi-media immersive experience of an AI-generated language archive from the continent of Africa and its diaspora. He cofounded Guada Labs, an architecture, art, film, and new media practice based in Los Angeles.

Damara Inglês

Panel 1 Speaker

Damara Inglês is a metaverse designer and strategist focused on digital fashion and immersive experiences. She was born in Luanda (Angola), grew up in Lisboa (Portugal), and graduated in London (U.K.). As such, the notions of intersectionality, minority empowerment, and nomadic thought are inherent to her work process.

In 2019 she started her metaverse adventure after graduating from the Fashion Media Practice and Criticism BA + MA at the London College of Fashion, University of Arts London. There she realized that her practice appreciates the visceral materiality and craft of analog fashion, as well as the emancipatory value of digital fashion, exploring technology as lenses to transform the fashion industry through sustainability, innovation, and disruptive thought. Her work aims to blend the notions of object and digital aura, experience and memory, mysticism and technology.

In 2021 Inglês became an Official Lens Creator for Snapchat and designed "Kazumbi" in collaboration with HERVISIONS and Snapchat Spectacles, expanding her digital skills and gaining early access to disruptive technologies. Through her practice, she collects different elements of personal meaning. So far, she has collected three: "Extended-Tactility," "Bio-Cyborg," and "Intersectional Digitisation," where she explores the complexity of her own identity as an African woman in the diaspora and in the Metaverse.

"I love to think about the intercultural and hyper-social connections within the Metaverse, and dream about it as an evolutionary step of intra- and inter-human experiences. Not as an echo of the different categories of segregation that are part of the contemporary discourse IRL."

Chaewon Ahn

Panel 2 Speaker

Chaewon Ahn is an urban researcher who studies the relationship between social systems and the built environment using urban data and analytical frameworks.

Her research interests are formed through academic and professional experiences in architecture, urban design, data visualization, and urban studies. Her research focuses on social networks and communities in cities, their relationship to the structure of the built environment, and the influences of urban planning programs that engage them. She uses analytical skills to conduct data-driven analysis that primarily focuses on big data, participatory data collection, spatial analysis, and social network analysis to expose persistent issues of power in urban development processes.

Trained as an architect, urban designer, and data visualization designer, Ahn holds a Ph.D. in Urban and Regional Planning and a master's degree in Architecture and Urbanism from MIT. She has worked with various research laboratories at MIT, including the Leventhal Center for Advanced Urbanism, the Civic Data Design Lab, the MIT Election and Data Science Lab, the JTL Urban Mobility Lab, and the Senseable City Lab.

Leanna Mei Humphrey

Panel 2 Speaker

Leanna Mei Humphrey is an architect, researcher, and assistant professor of architecture at Hampton University. Her work focuses on the role of various media and technology in the representation of architecture and urban space, particularly with respect to questions of opacity and haunting. She is thrilled to be returning to Cornell University, where she received her post-professional master's in Advanced Architectural Design in 2022. During this time, she was also accepted into the Mellon Urbanism Seminar, an interdisciplinary lab led by Tao Leigh Goffe and funded by the Mellon Foundation which most recently published the co-authored dossier "Dirge: Black and Indigenous Hemispheric Burial, A Sound Sculpture" in ASAP/Journal. Humphrey has also been a researcher at AAP's Circular Construction Lab led by Felix Heisel, where she helped develop an interactive visualization for the project 10 Aspects of Sustainability. She is currently a technician at Dark Laboratory, a humanities lab and design studio centered on race, technology, and climate, and now runs her own practice as a designer in Virginia Beach.

Biayna Bogosian

Panel 2 Speaker

Biayna Bogosian is an Assistant Professor of Architectural Technology at Florida International University's School of Architecture, Associate Program Director of FIU's Robotics & Digital Fabrication Lab (RDF Lab), and Affiliated Faculty with FIU Institute of Environment, where her interdisciplinary research is supported by several NSF grants. Bogosian's academic and professional background in architecture, urban design, environmental design, computational design, data science, spatial computing, and media arts has allowed her to move across and connect disciplines and different scales of design. It has also allowed her to understand innovation in design within a broader environmental context and explore data-driven and citizen-centric approaches to improve the built environment and the inhabitants' lives.

She is currently a doctoral candidate in the Interdisciplinary Media Arts and Practice (iMAP) program at the University of Southern California (USC). Her Ph.D. research focuses on the development of interactive and immersive urban environmental information representation media. Her dissertation, "Exploratory Environmental Interfaces," focuses on the socio-spatial and political dynamics of environmental pollutant monitoring and representation using readily available sensors and immersive representation methods. This ongoing research has been deployed in the cities of Los Angeles, Miami, New York, Princeton, Seoul, Shanghai, Mexico City, and Yerevan in various capacities.

She has been a serving member of ACADIA Organization's Board since 2020 and cochaired the ACADIA 2021 Conference "Realignments: Toward Critical Computation" (November 3–6, 2020), CAAD Futures 2021 Conference "Design Imperatives: The Future is Now" (July 16–18, 2020), DigitalFUTURES World Workshops (2020–2021), and was chair of the InclusiveFUTURES Lecture Series 2021.

Marco Ferrari

Panel 2 Speaker

Marco Ferrari is the cofounder of Studio Folder, an interdisciplinary design practice based in Milan, working both on commissions in the fields of culture and the arts and on research projects examining the politics and visualization of spatial data. Together with Elisa Pasqual and Andrea Bagnato, he is the coauthor of A Moving Border: Alpine Cartographies of Climate Change, a book based on Studio Folder's long-term project Italian Limes, and jointly published by Columbia Books on Architecture and the City and ZKM Karlsruhe in 2019. He has been teaching Methods and Tools for Representation at ISIA Urbino between 2010 and 2022, and co-led ADS7 at the Royal College of Art in London between 2019 and 2022, together with Elise Misao Hunchuck and Jingru (Cyan) Cheng. He is currently Adjunct Assistant Professor at Columbia GSAPP and the head of the MA Information Design at Design Academy Eindhoven. 

Samaneh Moafi

Panel 3 Speaker

Samaneh Moafi is the Assistant Director of Research at Forensic Architecture, a multidisciplinary group in Goldsmiths, University of London that uses architectural techniques to investigate cases of state violence, violations of human rights, and environmental destruction. Moafi is responsible for identifying new areas of research, overseeing research quality and integrity, and directing the innovation of new analytic techniques, methodologies, and processes. She assembles and oversees project teams and workflows, as well as training and staff time dedicated to particular streams of the research and development of technologies and methods outside of project work. She is also responsible for the Febrayer/FA Investigative Lab and provides advice and support across FA's affiliates on research issues.

Elise Misao Hunchuck

Panel 3 Speaker

Elise Misao Hunchuck (she/her) is a transdisciplinary researcher, editor, writer, and educator. Based in Berlin and Milan, her practice brings together architecture, landscape architecture, and media studies to research, write, and teach about sites in Canada, Japan, China, Ukraine, and the U.S. She is the journal editor and curator of transmediale, the annual festival for art and digital culture in Berlin. She is an editorial board member for the journal SCAPEGOAT: Architecture, Landscape, Political Economy and an Adjunct Assistant Professor at GSAPP at Columbia University. Alongside Marco Ferrari and Jingru (Cyan) Cheng, she co-led the architectural design studio ADS7: Politics of the Atmosphere at the Royal College of Art in London (2019–2022). She has also taught at the John H. Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto, the Azrieli School of Architecture and Urbanism at Carleton University, and directed a multi-year research and design studio (2019–2022) at The Bartlett Faculty of the Built Environment at University College London (UCL). Her writing and editorial works have been published in The Avery Review, The Funambulist, FLASH Art, Fotograf, Archive Books, Damaged Goods, Edinburgh University Press, University of Minnesota Press, MIT Press, Onassis Foundation, PUNCH Books, Routledge Books, Spector Books, and Sternberg Press. She is also a 2022 Graham Foundation Grantee.

Jordan Carver

Panel 3 Speaker

Jordan H. Carver is a writer, educator, and designer based in New York. He is a co-author of America Recovered (Actar, 2019) and author of Spaces of Disappearance: The Architecture of Extraordinary Rendition (UR, 2018). Carver is the managing editor of Theory & Event, editor-at-large for the Avery Review, and a core member of Who Builds Your Architecture? He is currently a Henry M. MacCracken Doctoral Fellow in American Studies at New York University where he works on architecture, borders, and the construction of racial sovereignty.

Nora Akawi

Panel 3 Speaker

Nora Akawi is a Palestinian architect and an Assistant Professor at The Cooper Union, New York. She focuses on erasure and bordering in settler colonialism and works at the intersection of architecture with border studies, cartography, and archive theory.  Prior to joining The Cooper Union, Akawi taught at Columbia University's GSAPP, where she was the director of Studio-X Amman since 2012 and the founding director of the Janet Abu-Lughod Library and Seminar since 2015. She curated Al Majhoola Min Al-Ard (this earth's unknown) at the Biennale d'Architecture d'Orléans (2019); and cocurated Sarāb: Wadi Rum, a festival of experimental electronic music and performance from the Arab worlds (2019) and Friday Sermon at the Biennale Architettura in Venice (2018). She coedited the books Friday Sermon (2018) and Architecture and Representation: The Arab City (2016). Together with Eduardo Rega Calvo, in 2019 she cofounded the interdisciplinary research and design studio Interim Projects.

Simone C Niquille

Designer and Researcher

Simone C Niquille is a designer and researcher based in Amsterdam. Her practice, Technoflesh, investigates the representation of identity and the digitization of biomass in the networked space of appearance. Her work has been exhibited internationally, most recently at HeK-Haus der Elektronischen Künste (2020), Fotomuseum Winterthur (2019), and La Gaite Lyrique (2019). She has published writing in Volume Magazine, AD Architecture, and e-flux. She is Chief Information Officer at Design Academy Eindhoven. In 2016 she was Research Fellow of Het Nieuwe Instituut Rotterdam and is a commissioned contributor to the Dutch Pavilion at the 2018 Venice Architecture Biennale. Niquille is a recipient of the Pax Art Award 2020 and 2021/22 Mellon Researcher at the Canadian Center for Architecture. Currently she is investigating the architectural and bodily consequences of computer vision, researching the politics of synthetic training datasets.

Paul Ramírez Jonas

Moderator

Paul Ramírez Jonas is a Brooklyn-based practicing artist and educator whose work has been exhibited extensively both nationally and internationally. Selected solo exhibitions include Museo Jumex, Mexico City; The New Museum, New York City; Pinacoteca do Estado, Sao Paulo, Brazil; The Aldrich Contemporary Museum, Connecticut; The Blanton Museum, Texas; a survey at Ikon Gallery (U.K.) and Cornerhouse (U.K.) in 2004, and a 25-year survey at the Contemporary Art Museum Houston in 2017. Selected group exhibitions at P.S.1; the Brooklyn Museum; The Whitechapel (UK); Irish Museum of Modern Art (Ireland); and Kunsthaus Zurich. He participated in the 1st Johannesburg Biennale; 1st Seoul Biennial; 6th Shanghai Biennial; 28th Sao Paulo Biennial; 53rd Venice Biennial and 7th and 10th Bienal do Mercosul. His projects Key to the City (2010) and Public Trust (2016) were presented by Creative Time in cooperation with the City of New York and by Now & There in Boston, respectively.

Ramírez Jonas is the Chair of the Department of Art at Cornell AAP.

Jenni Minner

Moderator

Jennifer Minner, Ph.D., is Director of Graduate Studies and Associate Professor in the Department of City and Regional Planning. She directs the Just Places Lab, an interdisciplinary platform for research and creative action centered on community memory, public imagination, and the socially just care of places. Her research and teaching focus on equitable land use and historic preservation planning. She is National Conference Chair for the Association of Collegiate Schools of Planning (2021, 2022, and 2023 conferences). She is one of the founding partners of the Circularity, Reuse, and Zero Waste Development (CR0WD) network. She has chaired the City of Olympia Heritage Commission and has served on the Ithaca Landmarks Preservation Commission. Minner investigates urban change, building and building material reuse, landscape adaptation, and community memory in all manner of places — within mega-event impact craters, in demolition and deconstruction sites, along commercial strips, in future scenarios, and in reflections of the city in art. 

Lily Chi

Moderator

Lily Chi's teaching covers topics in contemporary design research, 18th to 21st-century theory and criticism, and architectural drawing/representation in western history. Her studios have investigated urban temporalities, 1:1 and the situational, film and formation, and questions of location/globalization in the contemporary city. Chi served as design editor for the Journal of Architectural Education from 2000–04. She is completing a writing project on city-building, war, and propaganda in 20th-century Saigon.

Chi received her B.Arch. with high distinction from Carleton University (Canada), her M.Phil. in architectural history and theory from Cambridge University, and her Ph.D. from McGill University. Her doctoral work examined the role of Enlightenment concepts of custom, nature, and history in the formation of a modern architectural discourse. These themes are developed in her current research on the "sites" of architectural work in a geographically expansive discipline.

Farzin Lotfi-Jam

Assistant Professor

Farzin Lotfi-Jam is the director of Farzin Farzin, a multidisciplinary design studio working across architecture, urbanism, computation, and media. His work explores the political implications of technology and computation through exhibition practice. From modeling the control matrices of smart cities to spatializing the cultural logics of social media, his individual and collaborative projects are research-based and multimediatic. Lotfi-Jam's work has been collected by The Centre Pompidou and the Sharjah Art Foundation, and he is a recipient of recent grants and support for his research from the Alexander S. Onassis Foundation, the Graham Foundation for Advanced Studies in the Fine Arts, M+/Design Trust, and The Shed where he was an inaugural Open Call Artist. He has been exhibited at Storefront for Art and Architecture, MAXXI, the Venice Architecture Biennale, the Oslo Architecture Triennale, the Istanbul Design Biennial, the Seoul Architecture Biennial, the Sharjah Architecture Triennial, and elsewhere. His co-authored book Modern Management Methods: Architecture, Historical Value, and the Electromagnetic Image was published by Columbia University Press. He holds graduate degrees in architecture from RMIT University in Melbourne, and Columbia University in New York. 

Ekin Erar

Design Teaching Fellow

Ekin Erar is an architect and designer. She has previously lived in Istanbul, Boston, Houston, and Paris, and has worked on projects in Europe and the Americas. Her work has been featured in the Venice and São Paulo Architecture Biennales, as well as exhibitions at Rice University and Pratt Institute. Erar's work brings together image construction, material research, and analysis and recreation of assembly processes, through which she explores the relationship between the real and the represented.

She holds a B.A. in Art History/Architecture from Wellesley College and an M.Arch. from Rice University.