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Caitlin Blanchfield

  • Visiting Critic

Department

Contact

Academic Research Areas

  • Architectural history
  • Architectural theory
  • Material practice
  • Anticolonial practices
  • Environmental history
  • Histories of colonialism
  • Politics of land
  • Science, technology, and society

Caitlin Blanchfield is a historian of architecture and landscape whose work examines the infrastructures of settler colonialism and material practices of resistance. Her research addresses the role of modernist land management and design practices in projects of dispossession and colonization in North America and across the reaches of US empire, as well as the anticolonial architectures that unsettle them. Blanchfield received her Ph.D. in architectural history and theory from Columbia University and was a 2024–25 Mellon Postdoctoral Fellow in Architecture, Urbanism, and the Humanities at Princeton University.

She is currently working on her book Unsettling Public Lands: Indigenous Sovereignty, Scientific Architecture, and the Question of Use which offers a critical reading of modern architecture’s instrumentalization in late-20th-century expropriation of Indigenous lands, while narrating a built environment history of Indigenous resistance. Other work includes collaborative investigations into the impacts of border infrastructures on Indigenous lands and multimedia projects on the management of architectural value, including the co-authored book Significant Impact: Contesting Surveillance Infrastructure on Indigenous Lands (Actar, 2025) and the collaborative exhibition and publication project Modern Management Methods: Architecture, Historical Value, and the Electromagnetic Image (Columbia University Press and The Shed, 2019).

Blanchfield was a founding editor of the Avery Review and served on the editorial board for the Journal of Architectural Education. Her work has been supported by the Graham Foundation, the New York State Council for the Arts, Dumbarton Oaks, and the Temple Hoyne Buell Center for the Study of American Architecture. She holds an M.S. in Critical Curatorial and Conceptual Practices in Architecture from Columbia University and a B.A. in history from Oberlin College.

headshot of Caitlin Blanchfield

Academic Research Areas

  • Architectural history
  • Architectural theory
  • Material practice
  • Anticolonial practices
  • Environmental history
  • Histories of colonialism
  • Politics of land
  • Science, technology, and society
A picture of various X-Rays displayed on pinup screens
Modern Management Methods (2019), The Shed. photo / Kunning Huang

Publications

  • Significant Impact: Contesting Surveillance Infrastructure on Indigenous Lands

    With Ophelia Rivas and Nina Kolowratnik, Actar, 2025.

  • Against Architectures of Degradation: Pōhaku and Protection on Mauna Kea

  • Envirotechnical Lands: Science Reserves and Settler Astronomy

    In Technical Lands: A Critical Primer, ed. Jeffrey Nesbit and Charles Waldheim, Berlin: JOVIS Verlag, 2023.

  • Modern Management Methods: Architecture, Historical Value, and the Electromagnetic Image

    With Farzin Lotfi-Jam, New York: Columbia University Press, 2019.

Classes

  • Theories and Analysis of Architecture I

    ARCH 5301

  • History of Architecture I

    ARCH 1801/5801

Selected Awards, Grants, and Fellowships

  • Princeton-Mellon Fellowship in Architecture, Urbanism, and the Humanities

    Princeton University
    2024–25

  • Graham Foundation Publication Grant

    Graham Foundation for Advanced Studies in Fine Arts
    2024

  • Independent Project Grant

    New York State Council for the Arts
    2022

  • Buell Center Fellowship

    Temple Hoyne Buell Center for the Study of American Architecture
    2022

  • Dumbarton Oaks Junior Fellowship

    2021–22

  • Graham Foundation Research Grant

    Graham Foundation for Advanced Studies in Fine Arts
    2018

  • Inaugural Open Call Artist

    The Shed
    2018

Selected Exhibitions and Presentations

  • Modern Management Methods: United Nations Headquarters

    In Open Call, curated by Emma Enderby. The Shed, New York. Cocurator and codesigner with Caitlin Blanchfield, 2019.

  • Cher

    In Oslo Architecture Triennale, Norway. With Glen Cummings, Farzin Lotfi-Jam, Jaffer Kolb, and Leah Meisterlin, 2016.