Ekin Erar: Paperspace

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A window with the word ARCHITECTURE surrounded by wood paneling with various dimensions around it
PAPERSPACE 01. image / provided
A hallway with blurry people walking through a wooden archway
PAPERSPACE 02. image / provided
A wood paneling with dimensions and a note reading ALL EXISTING OPENINGS TO BE ASSESSED AND DIMENSIONS FIELD VERIFIED
PAPERSPACE 03. image / provided
An upwards shot of wood paneling surrounding a window that says ARCHITECTURE and wood beams
PAPERSPACE 04. image / provided
A hallway with wooden beams installed
PAPERSPACE 05. image / provided
PAPERSPACE 01. image / provided PAPERSPACE 02. image / provided PAPERSPACE 03. image / provided PAPERSPACE 04. image / provided PAPERSPACE 05. image / provided

Abstract

A translation can bring out the nature of a subject by converting and constructing it to fit its new context. Paperspace, a hallway intervention, represents the dichotomies that arise in the process of architectural translations. However, unlike a "real space," all annotations from the drawings survive the process of constructing Paperspace. No lines are omitted. The excess usually lost in translation is here translated. 

The timber structure is marked with dimensions, door numbers, material types, swings, and other details. The grid line converts to a crown of spheres, and all construction notes appear on the cladding. The elements on Paperspace are treated equally despite changes in context, size, and function. 

By converting the drawing apparatus to performative elements, Paperspace attempts to become a literal translation of paper space. 

The intervention is a portal-like 8'5" x 13' structure constructed out of dimensional lumber using typical wall assembly methods. 


Bio

Ekin Erar is an architect and designer. She has previously lived in Istanbul, Boston, Houston, and Paris, and has worked on projects in Europe and the Americas. Her work has been featured in the Venice and São Paulo Architecture Biennales, as well as exhibitions at Rice University and the Pratt Institute. Erar's work brings together image construction, material research, and analysis and recreation of assembly processes, through which she explores the relationship between the real and the represented.

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