Jade Doskow: Freshkills Exhibition

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Large brown and white vessel holding water and dead leaves with a reflection of trees.
Freshkills The New Wilderness photo / Jade Doskow
Field with grass, shrubs and trees with a far view overlooking the New York City skyline.
Freshkills New York City Skyline with One World Trade from North Mound, Looking Northeast toward Main Creek and the Greenbelt, Autumn photo / Jade Doskow
Partially wrapped tubes with some yellow materials exposed on the ground in front of a stormy sky.
Freshkills The Storm photo / Jade Doskow
Freshkills The New Wilderness photo / Jade Doskow Freshkills New York City Skyline with One World Trade from North Mound, Looking Northeast toward Main Creek and the Greenbelt, Autumn photo / Jade Doskow Freshkills The Storm photo / Jade Doskow

New York-based architectural and landscape photographer Jade Doskow is known for her rigorously composed and eerily poetic images that examine the intersection of people, architecture, nature, and time. Doskow is best known for her work Freshkills, Lost Utopias, and Red Hook. Doskow holds a B.A. from New York University's Gallatin School and an M.F.A. from the School of Visual Arts.  She is the subject of the 2021 documentary Jade Doskow: Photographer of Lost Utopias, which has screened internationally at film festivals and at cultural institutions such as the Asheville Art Museum and the International Center of Photography. Doskow was one of 50 women featured in the award-winning 2018 publication 50 Contemporary Women Artists from 1960 to the Present. Doskow's photographs have been featured in the New York Times, Virginia Quarterly Review, Urban Omnibus (Architectural League of New York), Aperture, Photograph, Architect, Wired, Musée Mag, Smithsonian, Slate, and Newsweek Japan. Doskow is on the faculty of the International Center of Photography and the College of Staten Island, City University of New York. Doskow is the photographer-in-residence of Freshkills Park, New York City.

This exhibition is supported by grants from the Clarence Stein Institute and Cornell Council for the Arts.


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