Carla Liesching
Carla Liesching is an interdisciplinary artist working across photography, writing, collage, sculpture, bookmaking, and design. Grounded in experiences growing up in apartheid South Africa, she considers the intersections of representation, knowledge, and power, focusing on enduring constructions of race and geography. In resistance to dominant forms of knowledge production, Liesching's practice reveals ways of knowing that are fragmented, contested, contingent, subjective, and in constant negotiation.
She is the author of Good Hope (Mack, 2022), a hybrid image-text memoir chronicling centuries of empire and struggle, shortlisted for the Aperture Paris-Photo First Book Award and the Arles Prix du Livre in the Photo-Text Category. She contributed to On Whiteness: The Racial Imaginary Institute (SPBH Editions, 2022) as part of a collective of artists, writers, and activists committed to examining whiteness as a dangerous ideology that has been intentionally positioned as neutral. She has installed exhibitions and public works both domestically and internationally, most recently at the PhMuseum in Bologna (2024), the Deutsche Börse Foundation in Frankfurt (2023), and the Foam Museum in Amsterdam (2022).
Liesching lives between South Africa and Ithaca, NY, where she works as a Visiting Critic in the department of art at Cornell University, as a Lecturer in the department of art at Ithaca College, as faculty at the International Center of Photography, and as coordinator of the School of Criticism and Theory. As part of her socially engaged practice, Liesching is also a youth educator focused on image-making, visual literacy, and self-publishing as vehicles for expression and empowerment. She is a contributing editor of PUZZAZZ Mag and Chief Editor of the Book Arts Review, published by the Center for Book Arts in New York City.
Academic Research/Specialty Areas
- Collaborative practice
- Digital media
- Installation art
- Interdisciplinary art
- Photography
- Print media
- Sculpture
- Technology and art
- Visual representation
- Anti-colonial struggles in South Africa
- Politics and ethics of photography
- Intersections of visual representation
- Knowledge and power
Related News
Classes (Selected)
- ART 2601 Introduction to Photography
- ART 2701 Media Art, Performance, and Sound: Intersections
- ART 4003 Thesis I
Awards, Grants, and Fellowships (Selected)
- Aperture Paris Photo First Book Award, shorlist (2022)
- Rencontres d'Arles Prix du Livre, photo-text category, shortlist (2022)
- Foam Talent, Amsterdam, NL (2022)
- Silver Eye Fellowship Winner, Pittsburgh, Pennsylvania (2022)
- Light Work Grant Winner in Photography, Syracuse, New York (2021)
Exhibitions and Presentations (Selected)
- Good Hope (solo exhibition), PhMuseum, Bologna, Italy (2022)
- Foam Talent (group exhibition), Foam Museum, Amsterdam, The Netherlands and the Deutche Börse Photography Foundation, Frankfurt, Germany (2022–23)
- Aperture Paris Photo Book Award Touring Exhibition, Paris, New York, Seoul, + additional locations (2022–23)
Publications (Selected)
- Liesching, Carla. Good Hope. London: Mack Books, (2021).
- Berlant, Lauren, Sadhana Bery, Daniel Borzutsky, Jane Caflisch, Jeff Chang, Aruna D'Souza, Lori Gruen, et. al. On Whiteness: The Racial Imaginary Institute. London: SPBH Editions, (2022).