Cornell in Rome instructor Jeffrey Blanchard, left, takes a moment to point out important aspects of the Roman Forum from atop the Capitoline Hill. Learn more about the Cornell in Rome program.
Bachelor of fine arts students present thesis projects in a final presentation and critique at the end of the spring semester. The B.F.A. curriculum combines the intensive studio culture of the art department with enhanced access to electives in all areas of the university. Learn more about applying to the B.F.A. program.
The AAP community rethinks key urban design attributes, planning issues, and legacies of colonialism at the heart of inequities based on class and race.
September 28: Panel discussion of state responses to the COVID-19 pandemic, with Professor Mildred Warner, CRP; invited guests; and moderated by Jamila Michener, Associate Professor of Government at Cornell.
Mariam Ghani: Reconstructions and Speculations
Mariam Ghani is an artist, writer, and filmmaker. Her work looks at places, spaces, and moments where social, political, and cultural structures take on visible forms, and spans video, sound, installation, photography, performance, text, and data. She has exhibited and screened at the Guggenheim, MoMA, Met Breuer, and Queens Museum in New York City; and the National Gallery in Washington, DC, the Saint Louis Art Museum, the Indianapolis Museum of Art, the Centre de Cultura Contemporània de Barcelona, the Rotterdam and CPH:DOX film festivals, the Sharjah and Liverpool biennials, the Dhaka Art Summit, and dOCUMENTA (13) in Kabul and Kassel, among others. Some of her recent texts have been published in e-Flux, Frieze, Foreign Policy, and Triple Canopy; and the readers Assuming Boycott: Resistance, Agency and Cultural Production; Critical Writing Ensembles; Dissonant Archives; Social Medium: Artists Writing 2000-2015; and Utopian Pulse: Flares in the Darkroom. Ghani has received a number of fellowships, awards, grants, and residencies, most recently from Creative Capital, Art Matters, the 18th Street Arts Center in Los Angeles, the Schell Center for International Human Rights at Yale Law, and the Center for Constitutional Rights.
Ghani is known for projects that engage with places, ideas, issues, and institutions over long periods of time, often as part of long-term collaborations. These include: critical, curatorial, conservation, and creative work with the national film archive Afghan Films, since 2012, with support from the media archiving collective Pad.ma and a number of international art institutions; the video and performance series Performed Places, ongoing since 2006, in collaboration with choreographer Erin Ellen Kelly and composer Qasim Naqvi; and the experimental archive and discussion platform Index of the Disappeared, initiated with artist Chitra Ganesh in 2004, which has also become a vehicle for collaborations with other activists, archivists, artists, journalists, lawyers, and scholars.
Ghani is currently a visiting scholar at the Center for the Humanities at the Graduate Center, City University of New York; and a fellow at the New York Public Library. In fall 2018, she will take up a faculty appointment at Bennington College.
