Joan Linder: Still Looking: Themes and Variations

This event has passed.

Photo of a gallery in which a single piece of long paper is spread along a ledge on the white walls. Drawn on the paper is a chainlink fence and street signs.
Hooker 102nd Street (2013), installation view, ink on moleskin notebook. photo / Etienne Frossard
Realistic color drawing of a yellow double bay kitchen sink on blue tile countertops. The countertops are full of food containers and cleaning supplies, and there are dishes overflowing in the sink.
Counter, Sink (2013), ink on paper, 31" x 156.5". image / provided
Handmade replica of a cardboard Amazon Prime box.
Prime 120 (2021), watercolor and ink on paper, 6.5" x 16" x 10". photo / Nate Ely
Hooker 102nd Street (2013), installation view, ink on moleskin notebook. photo / Etienne Frossard Counter, Sink (2013), ink on paper, 31" x 156.5". image / provided Prime 120 (2021), watercolor and ink on paper, 6.5" x 16" x 10". photo / Nate Ely

Bio:

Joan Linder is known for making large-scale drawings with thousands if not hundreds of thousands of marks. Finding inspiration from her immediate surroundings, her conceptual and observational work often focuses on quotidian subjects. Works have been included in national and international exhibitions for more than 25 years and written about in Art News, Art in America, The New York Times, and Hyperallergic, among others. She has created several permanent public art commissions for schools, transit, and hospitals including the NYC Metropolitan Transit Authority and PS97 through Public Art for Public Schools. Awards include grants and fellowships from the Pollock-Krasner Foundation, Yaddo, and MacDowell, among others. Linder is a Professor of Art at the University at Buffalo, State University of New York and is represented by Cristin Tierney Galley in New York City.

Abstract:

Still Looking explores quotidian subjects from personal to political in the context of power, technology, feminism, and memory, themes that have emerged in various iterations of my work since the mid-1990s. Focusing on representational and observation painting and drawing, the talk discusses material and medium choices and how seemingly disparate projects develop, evolve, and intersect.

This lecture is supported by the Tenaglia Family. 

Also of Interest

Close overlay