Caitlin Cherry: Pictorial SpaceX

Painting of a woman standing in front of a car, mostly in black and white, with bright colors added sporadically across painting.

Caitlin Cherry received her M.F.A. from Columbia University in 2012 and B.F.A. from the School of the Art Institute of Chicago in 2010 and is currently an assistant professor of art at Virginia Commonwealth University in Richmond, Virginia. Cherry's work has been the subject of solo exhibitions at Providence College Galleries, Providence, Rhode Island (2018); Anderson Gallery at Virginia Commonwealth University, Richmond, Virginia (2018); University Museum of Contemporary Art at University of Massachusetts, Amherst, Massachusetts (2017); and at The Brooklyn Museum as part of the Raw/Cooked series curated by Eugenie Tsai (2013). Group exhibitions include A Wild Ass Beyond: ApocalypseRN (2018) at Performance Space, New York City; Punch (2018) curated by Nina Chanel Abney at Jeffrey Deitch, New York City; Touchstone (2018) at American Medium, New York City; The Sun is Gone but We Have the Light (2018) at Unclebrother/Gavin Brown's Enterprise, in Hancock, NY; Soul Recordings at Luis De Jesus Los Angeles; Object[ed]: Shaping Sculpture in Contemporary Art (2016) at UMOCA, Salt Lake City, Utah; Banksy's Dismaland Bemusement Park (2015) in Somerset, U.K.; This is What Sculpture Looks Like (2014) at Postmasters Gallery, New York City; and Fore (2012) at the Studio Museum in Harlem. Cherry is a recipient of a Robert Rauschenberg Foundation Fellowship Residency (2016) and Leonore Annenberg Fellowship (2015), among other awards and honors.

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