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Arden Conine: Forcings

An abstract artwork.

Exhibition

Location

Experimental Gallery

Tjaden Hall

M–F, 8 a.m.–4:30 p.m.

Contact

Department of Art

(607) 255-6730

artdepartment@cornell.edu

Reception

Wednesday, February 25, 6–8 p.m.

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Abstract

The Earth is awash in sound. Many geophysical processes are measured as oscillations, positioning sound as a shared structure through which Earth systems can be observed and translated. This exhibition explores sonification as a way of working with cyclical Earth processes, such as tides, to engage environments that remain largely unknown yet exert a massive influence on life on Earth.

Along the edges of the Antarctic landmass, glaciers flow into the sea, thinning and floating to form massive ice shelves that regulate how much ice is lost to the ocean. Beneath these platforms lies a sub-ice-shelf cavity—an enclosed, rapidly changing space inaccessible to direct human presence and knowable only through geophysical data. Shaped by tides, gravity, and temperature, this hidden interior provides the conceptual framework for the exhibition.

The gallery becomes a sound studio composed of a series of custom-carved acoustic foam panels installed throughout Tjaden Hall’s Experimental Gallery. Referencing Antarctic motifs and visualizations of sound, the panels alter the acoustics of the space, positioning listening as a way to encounter climate data, uncertainty, and deep time.

Biography

Arden Conine

Arden Conine is a multidisciplinary artist pursuing a B.F.A. at Cornell University (expected 2026). Rooted in printmaking and extending into painting, sculpture, textiles, and ceramics, Arden’s work uses play, humor, and shifts in perspective to reframe perception. Inspired by outdoor recreation and natural systems—such as mycelial networks or unlikely ecological symbioses—her work traces larger interconnected systems and invites curiosity beyond routine ways of seeing.

This installation was developed in collaboration with Jackson Fellows, a geophysics researcher at Caltech whose work on Antarctic ice shelves and tidal forcings informed the sonification and logic of the exhibition.

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