Louise Lawler recalls her time as an art student at Cornell and getting started as an artist in New York City:
I mostly resist interviews and personal profiles, not wanting to intrude on the reception of my work that I hope functions without me.
However, I am grateful for my time at Cornell and the community that made working generative.
Coming to New York City, I was more involved with work that didn’t need a gallery or a stage — work epitomized by the Grand Union Dance Group (member Barbara Dilley was at Cornell one summer) and 112 Greene Street (co-founded by Gordon Matta-Clark, it also exhibited works of Susan Rothenberg — both studied at Cornell). At the time, there was less distance, sometimes none at all, between audience and performer, who were sometimes the same — parallel to my experience of working and studying in Ithaca, between and beyond departments, making this style of collaboration familiar.
The Earth Art exhibit at Cornell in 1969 illustrated to us that there were alternative and viable ways of working to intervene in and enter the broader world. Exposure to these practices and people made going to New York City less daunting, a community in hand.
Metro Pictures Gallery | Louise Lawler Website

Projects
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